I was fortunate enough to work on UI scenes in the latest James Bond movie at Territory studio. I contributed to the Blood Cell and Nanobot sequences, experiencing numerous versions of these scenes. It was a fantastic experience.

My latest Portfolio showcasing my recent work as well as some of my favorite shots from the past. Check out my website for details www.muratkilic.tv

Reductive by design, the XXXIV provides everything you need and nothing you don’t. The story focuses on the lightweight nature of the shoe and more specifically the design of the eclipse plate and the hole generated by the reduction process. This was a technically challenging story to tell in a limited amount of seconds. By converting the sole into clay - a more malleable material, we were able to detail the crafting process, carving and stripping away layers of material to create a completed polished form. We worked with a 3D scan of the boot and CAD files for the inner sections, joining these together we matched the geometry, textures and materials to the real shoe. Credits: Jordan Brand Design Director – Rebecca Parker Intro Director – Camella Kirk Lead 3D – Alex Pastor Sound design – Zelig Sound

A dark captivating beauty... Mystery and elegance.. These are the notions we based our designs on, while creating world of "Bella", inspired by beauty. Using strong lighting and particles in a dark atmosphere with macro shots and smooth camera movements gave us the right point of view that we wanted to achieve. Client: Bella Design Studio : Orion Music: Kercha - Common Sense

Director and executive producer: Anna Radchenko @ KODE media Co-director: Mikhail Svjatogor DoP: Roman Yudin Producer: Anastasia Limarenko Model: Yana Dobroliubova CG artist and supervisor: Murat Kilic @ORION CG artist: Yanis Georges CG compositing: Murat Kilic @ORION Music and sound design: Lister Rossel, Utkucan Eken @ We Are Playhead Singer: Alyusha Chagrin Editors: Suga Supiah, Ikki Dhesi Colour: Tobias Tomkins @ CHEAT Post-production producer: Jack Goodwin @ KODE media Make-up: Darya Kholodnykh Stylist: Anna Bakhareva Fashion designers: o5o.moscow, AVA11, Go Authentic, Anya Komyagina Location: Geppener Studio (Moscow)

Crema Dea is an anti-aging cream brand produced in Italy. Identity concept inspired by water goddess Salacia. The visual codes of the brand are influenced by 3 main materials. Water refers to hyaluronic acid, gold represents the science aspect, and imperatoria flower shows the brand roots to mythology.

Featured as a part of the Cosmolights Festival 2020, "Bioluminescence" is a projection mapping project, inspired by the emission of light by marine vertebrates and invertebrates. We based our approach on these organic occurrences by living organisms, and blended with the concepts of evolution and technology.Cosmolights Festival 2020 Design Studio : Orion Music : Mark Petrie,Matthew Brigida

OFFF Milano's second edition Main Titles represent! Art deco period inspired, a science fiction piece features; the titles showcase the perfect machines, mechanisms with imperfect humans and creatures. Onur wanted to create the perfect collaboration and have invited artists, designers and craftsmen to join forces for the production. They combined a special and made up effects with computer generated visuals seamlessly combined with sound design and music created in the spirit of iconic soundtracks composed during the 60s, unifying the language, complimenting and completing the visual world. Enjoy this beauty! Directed and Produced by Onur Senturk Art Direction: Maxim Goudin, Onur Senturk Typography and Custom Typeface Created by Craig Ward Director of Photography: Mehmet Basbaran Animation, Modelling, Lighting, Rendering and Compositing: Maxim Goudin, Murat Kilic, Ilhan Yilmaz, Aynur Kazaz and Onur Senturk Traditional Sculptures: Omer Kasimoglu Special Effects: Emir Ozer Transportation and Set Assistant: Yasin Ozkanli Behind the Scenes: Aynur Kazaz Focus Puller and DIT: Ercan Ender Sound Design and Music: Echolab Filmed at A Plus Film Studios Istanbul, Turkey

Nothing has value unless we grant it, and value does not mean anything unless we give it a meaning. I just wanted you to see through my eyes. I want to thank everybody who has been with me throughout this journey and letting me share my vision with you. www.childsplay.film Directed​ & Created by Murat Kılıç Jelly-helmet simulation / Fuat Değirmenci Audio Production / Playhead Music / Utkucan Eken Sound Design / Lister Rossel www.muratkilic.tv www.weareplayhead.co.uk

Client: Flowfushi Product: ONE Agency: Canaria Japanese Production: TYO Monster Films US Production: Mt. MELVIL Director: Onur Senturk DOP: Takeshi Hanzawa Lighting: Masao Kato VFX/ Animation: A Few Grams Ilhan Yilmaz, Murat Kilic, Omer Kasimoglu, Yucel Yetiskin Music and Sound Design: Audionerve

With the strands we created, our goal was to express the progression of an expanding idea. The strands that grow and align in same direction symbolise the SCS team working together in different areas to create something new and unique. The softly moving strands that surround every element and detail convey the perspective and emotion of the SCS team as they were creating the new Shopping City Süd extension. We also developed new tools with an user interface, in order to be more effective in generating the right feeling. Credits: Director & Cinematographer: Damien STECK 2nd Operator: Julien Petit Editor: Damien Steck 3D Animation & Design: Jeton Studio Design Director: Emrah Gönülkırmaz Mısic & Sound Design: HECQ Executive Producer: Dino PESCI Production Company: L’AUTRE IMAGE Client: UNIBAIL RODAMCO

Brand: Asics Client: Global Brand Manager - Running: Mike Brabant Agency: 180 Amsterdam President and Chief Creative Officer: Al Moseley Creative Director: Dan Treichel, Dave Canning Creatives: Joe Craig, Tony Bartolucci Producers: Bethany Papenbrock, Jo Kelly Account Director: Kim Waugh Production Company: PostPanic Director: Onur Senturk Executive Producer: Annejes van Liempd Music Composition & Sounddesign: Audionerve, Jochen Mader DoP: Hessel Waalewijn Post Production: PostPanic In this project, My role was assisting director with previsualization, design and modelling the robotic arms Produced by PostPanic, MetaRun is a futuristic take on the intensive testing facilities found at ASICS headquarters in Japan. Commissioned as an integrated product film by 180 Amsterdam, PostPanic stepped up determined to push the boundaries once again since their last award winning ASICS film, Running Expansions, back in 2010. This time Turkish director Onur Senturk took on the challenge from their side, chosen primarily for his highly aesthetic and future-facing graphic eye. 180 Amsterdam's script appealed directly to Senturk's aesthetic and allowed PostPanic to play to their strengths applying a mixed media approach combining live action with high-end VFX to communicate the intense testing process the MetaRun is put through. Filmed in Amsterdam with athletes, actors and product against green screen, the post-production then required extensive design and animation of bespoke training facility interiors and technology, combined with a seamless transition between real and CG elements.